This paper, "The Schoenberg Circle's Utopian Performance Practice" by Alfred Cramer, was presented at the American Musicological Society meeting in Baltimore, Maryland in November, 1996. It deals with music of Arnold Schoenberg and Anton Webern as performed by the composers and by Edward (Eduard) Steuermann, Rudolf Kolisch, Peter Stadlen, and others. If you click here, your browser will probably display it just fine, although the windows on your screen may multiply.